A Night with “Spotlight” Star Marty Baron ’76: Cultivating Community, Advocacy, and Entrepreneurship through the Arts

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(Image credit: NiemanLab)

Though it has been two months ago, I felt this arts event was important to document, as it exhibits everything we have been learning in our ENTP 123 Art Community Entrepreneurship class: finding entrepreneurship opportunities, cultivating community, and advocating through the lens of the arts, and fostering the spirit of Lehigh from the local to the international scale—all of which was accomplished through a Thursday night movie screening and Q&A with a Lehigh alumnus. On February 18, 2016, the Lehigh, wider South Side and Lehigh Valley communities had the immense pleasure and a truly once-in-a-lifetime opportunity to watch a screening of the Oscar-nominated and then winning film Spotlight with Marty Baron ’76 and then speak with him.


While I do enjoy the opportunity to watch movies alone with an audience, as some do by themselves but with Netflix, I felt an opportunity such as this—specially geared towards the Lehigh community by a Lehigh graduate—required the opposite of solo time. It would be silly not to engage this event with friends made at Lehigh, and I didn’t have to convince my friends to go. Lehigh’s official communications department sent an announcement then two reminder emails to the campus, so my friends had already heard of it, all of us watching the trailer and reading about it in anticipation. By the time I had arrived—contrary to most events, tickets and early arrival were recommended, as my friends and I quickly learned as we struggled to find seats together—I saw other friends from my first year, those who I hadn’t seen in a long time. They made room for us in the second row, seats that we were fortunate to snag, as the balcony was overflowing and others were being turned away at the main entrance.

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(Image credit: Lehigh University)

As seniors, my friends and I barely had time to grab a bite to eat beforehand, yet we abided by the old saying: “you don’t know what you don’t know.” We didn’t find the need for the typical popcorn and butter, nor did we even know we were hungry because of the excitement of the event, whose promise all of us had genuinely and sincerely looked forward to in the months then weeks leading up to it. A film starring A-list actors in the running for six Academy Awards with relevance that extended to our elementary school years, then live audience participation and Q&A with the editor of the Spotlight team? These three hours into the night would not be among those we would groan at on a school night. We, however, would groan together at the politicking of antagonists as a middle-aged alumnae muttered, “Now that’s how all [the corruption] begins” to our “hmm’s” in agreement. And we would also do double and triple takes at Liev Schreiber’s striking resemblance to the night’s honorary guest, then upon realization, rise up in a standing ovation at his entrance.

The night was spent in rapt attention, from Vice Provost Patrick Farrell’s opening remarks, viewing on a screen that rivaled those from Carmike 16, AMC, and Regal, and discussion with Chair of the Journalism and Communications Department Professor Jack Lule and the man of honor himself. While attending blockbusters such as the University Productions-sponsored screenings of The Avengers and Monsters University on the UC front lawn at the beginning of the year and The Hunger Games: Catching Fire with fellow Lehigh friends were obvious first-year orientation and community-building choices, engaging Spotlight at the seat of the respected university of the leader was more special and engaging. Very little can compare to watching a film recognizing a Lehigh alumnus amongst friends and colleagues, all with a connection to Lehigh, for the first time. Alumni had traveled hours to reconnect—and they did, introducing themselves and calling out to Baron as old Brown and White staff members—and current students literally rubbed shoulders with an audience of varying ages. Though movies have been criticized for being purveyors of passive consumption and interaction, I’d counter that events like this have done more to build solidarity across age groups and graduation years than forced networking events. In the closed Packer auditorium, it was an intimate environment, and the feeling of collegiality swept over everyone.


As a second-semester senior and soon-to-be alumna, I believe these events like these are the strongest in espousing the principles of Art Community Entrepreneurship. Though it is not always that an award-winning film is made about an alumnus, similar events engaging current students, alumni, and the wider community before and after clearly yield positive returns on multiple fronts: personal student inspiration in seeing a successful example of who they wish to become, advocacy for significant matters whose embodiment we wish to see in leaders, university and arts finances, and community building. From the perspective of a student and recent graduate whose schedule is becoming increasingly inflexible and selective, this is an event that I would not miss. As classmate Brent Lorraine mentioned, community members will secede from the community if they do not feel that they belong, if their participation matters. Ongoing interactions with alumni address this concern and can fuel greater solidarity, school spirit, and donations. In using a movie recognized by a major U.S. and international cultural organization for a movie- and media-heavy culture, the post-film momentum to host a participatory Q&A giving audience members the agency to offer insightful questions and the intimacy for answers, and fostering an atmosphere of excellence and intellectualism, this was an excellent case study in entrepreneurship. This is by far my favorite art event this year and of my top three in my Lehigh career. After this, I am excited and energized to see what else there is to come for alumna like me.

Marty Baron returns to Lehigh for “Spotlight” Screening from The Brown and White on Vimeo.

—Sunny Huang, Class of 2016

A Mid-March Visit to the Art Galleries by a Senior

A few weeks ago, I had the pleasure of finally stepping foot into Lehigh University Art Galleries. And after visiting, I have to say—as a second-semester senior, I only wish that I did it sooner.

I knew Zoellner Arts Center was the center of music, rehearsals, and official Lehigh-sponsored events, such as the 2012 Gala with Kristin Chenoweth, stunning Japanese dance and drums performance by TAO, and renowned poets like the Poet Laureate Billy Collins, yet every time I stepped foot into this architectural masterpiece, I forgot about the other dynamic artists hosted within. Paintings, photography, drawings, and sculptures tucked away yet ever present, still hallmarks of the Lehigh curatorial genius and culture on campus. While not “dynamic” in the common sense—not being outside or popularly conceptualized as so—these artworks are no less so than the dancing across the Mustard and Cheese stage. Those rooms hold a quiet vigor of their own, as two students and I discovered.

There has never been a time where I haven’t seen mentions of the Art Galleries in the University Announcements, a daily email upon whose arrival announced to students that they were up too late. In spite of its written prevalence and new series and events added each month, there seems to be an unfortunately low number of visitors. Finally, to complement my consumption of arts events produced by students, I convinced two others to explore what Lehigh’s staff had created in the Arts Galleries.

The walk was five minutes from my previous class, easily accessible, yet seemingly so far out of reach for most students, aside from rehearsals and the occasional Zoellner event. It turns out that the walk and self-guided tour itself were easy to do between classes, aka a perfect to-do for those awkward “forty-five minutes between class” moments. After signing in and paying nothing—it’s for free! Lehigh really does want you to experience the arts—we entered a comfortably lit room together. Rather than planning which pieces to view, we simply engaged in the spontaneous with the walls. Our steps were random, yet methodical. If a painting or photograph caught our eye, we simply walked towards it and studied it together, not particularly concerned with the artist’s name—there were too many after all—but more entranced by the details, strokes, and textures involved. At the more striking ones, we all tilted our heads, trying to make sense of them and observing, studying to see how we could replicate those motifs in our own non-art major work. While we did watch the movement of the works together, we each split off to explore on our own, occasionally catching up to each other wordlessly to admire what we saw in union and unison. Oil red flowers’ shading made real by slight shifts in pressure of the brush, the intricate cutting of colored outlines by a modernist, a traditional Japanese ink painting and a more modern one, made apparent by the roughness of the strokes. And many more, all breathtaking and ponderous, from a painting in the likeness of the Hudson River School and Picasso’s self-portrait to black and white photography interspersed amongst the colored glory.

None of us were art majors, yet we could all find some solace in the spacious rooms and frames along the wall. One friend had arrived late, his hair in tufts and circles etched visibly under his eyes. His posture read the Galleries as skeptical, yet by the end, he had entered his own world. We all had, and we were all less stressed, our shoulders lank and footsteps languid and unhurried, a stark contrast to our arrivals. We didn’t have much to say to each other after that as we had lingered in the Galleries for too long and a few minutes late to class, but it was clear that all of us had enjoyed the brief respite amongst the squares and rectangles along the wall, almost tripping over the sculptures on the ground in our daze to float to the next one. While we did not have the literature or vocabulary to conduct a full vocal investigation of the litany of tropes and themes present, we could mumble a “look at the positioning in this one,” “imagine the wrist of the artist creating this gesture drawing,” “these colors are so bold,” and “I didn’t know we had a Picasso! Was this painted in his transition between a child prodigy and burgeoning abstract artist?”

We admired the varied collection held by Lehigh, for we truly did not comprehend its diversity and scale, how a beautifully-curated gallery with inspirations across the globe was right here at school, with no need to visit Philadelphia or New York for its art museums there. Because we couldn’t chance the “…Of The Americas: Contemporary Latin American Art” and “Revisiting South Bethlehem: 150 Years of Photographygalleries, also mentioned in the announcements, due to class, we vowed to return again. In the meantime, we wondered about ways to increase the collections’ visibility to the student body—modern and Millennial-created flyers around Maginnes, Williams Hall, UC, and other hotspots in the university, mentioning the (im)possibility of a Picasso in our very midst—the differences between the experience with and without music, infusing our work with these inspirations, the current and potential value they have and could have for the South Side community, and when, exactly, we could return, not in between classes, to truly experience all that the Lehigh Art Galleries had to offer.

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Unfortunately, I don’t have any pictures of the Galleries, but inspired by the diverse art forms and strokes in the Art Galleries, I took the time to explore the significance of line, angle, texture, and pressure of pencil together in my own time. Every stroke is significant. Every stroke contributes. Every stroke is a foundational matter (and matters). (Instagram)

—Sunny Huang, Class of 2016

Of Mothers and Men

MothersandMen(Written by Johanna Grim)
On Thursday, February 25, NYC based performance company The Black Latina Movement will perform an original work of theatre, Of Mothers and Men, at Lehigh University (see below for event details).

Of Mothers and Men presents a set of monologues spoken by women about their relationships with their mothers, motherhood, and the men in their lives. The play tells of love and struggle through an exploration of a spectrum of relationships, from healthy to unhealthy romantic partnerships to complex family bonds. Of Mothers and Men highlights the diversity, pain, and beauty of Black Latina women and their experiences. Crystal Shaniece Roman, Black Latina Movement founder and CEO, who also appears in Of Mothers and Men, created the show to honor the “many paths these intricate relationships often take.” As such, Of Mothers and Men exemplifies the larger project of The Black Latina Movement to “advance the Black Latina voice” through the arts (BlackLatinamovement.com).

Of Mothers and Men is brought to Lehigh’s campus by a collaboration among the Office of Multicultural Affairs, the Office of International Affairs, and the Women’s Center. The play is also supported by multiple campus partners, including the Council for Equity and Community. In addition, because of the nature of some of the monologues, representatives from Turning Point of the Lehigh Valley and the Lehigh University Counseling Center and Advocates will be present and available to talk with anyone immediately affected. Turning Point of the Lehigh Valley will be accepting donations. Donations are voluntary. No donation is needed to attend the play.

The organizations and individuals who have worked to bring Of Mothers and Men to Lehigh hope that the play will spark campus and community wide conversations about the experiences of women of color as well as the diverse roles of the women in our lives and communities. A 30 minute Question and Answer session with the cast will directly follow the performance, and the discussion will continue on Friday, February 26 at a Brown Bag Lunch meet-up in the M-Room at noon.

Both the play and the post play meet-up are free and open to Lehigh students, faculty, staff and the general public. Come out to hear the stories of Black Latina women and join in the conversation about relationships, love, and struggle.

Email Rita Jones, Director of the Women’s Center, at rmj207@lehigh.edu, for more information.

 

Event Details:

The Black Latina Movement Presents: Of Mothers and Men
Thursday, Feb. 25, 2016 @ 6:30pm
Lamberton Hall, Lehigh University

Admission is Free!

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Post-Play Brown Bag Lunch Conversation:

Friday, Feb. 26, 2016 @ Noon
M-Room (2nd floor of the University Center), Lehigh University

Event is free, bring your lunch and responses to the play!

Horger Scholarship Awards announcement

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The faculty of the Department of Art, Architecture and Design recently awarded four Horger* Scholarships for outstanding performance in AAD.  AAD faculty established the following criteria for the Horger award in Art, Architecture and Design.

  • Awarded for dedication and excellence in studio art, architecture, design and art history
  • Recipients are faculty-nominated and faculty-awarded
  • Overall GPA was taken into consideration but was not a final determining factor

Heartiest Congratulations To:

Jaclyn Sands – Studio Art
Evan Orf – Architecture
Liz Phillips – Design
Lindsay Alexander – Art History

*  Theodore U. Horger (known as Ted) was truly a renaissance man. His grounding was in the sciences, having received his Bachelor of Science degree in engineering mechanics from Lehigh in 1961, a Masters in the same major from New York University in 1963, and after working at Bell Labs, the research arm of AT&T, followed by a two year stint in the Peace Corps in Chile, he had a life-long career with AT&T utilizing his engineering education and skills.  Notwithstanding his educational and work background in engineering, he was devoted to the arts in all of its forms—music, theatre, dance and visual arts.

Throughout his lifetime, Ted pursued his interests in performing and visual arts endeavors. Despite living in central NJ, Ted traveled regularly & was a “frequent flier” at Zoellner Arts Center since 1997, attending theatre and music productions as well as guest artists events, exhibition openings and gallery lectures.   During his retirement, he enrolled in classes at MoMA and NYU, further advancing his knowledge & passion for the arts.

The establishment of two permanent endowment funds from his estate: the Theodore U. Horger ’61 Visual & Performing Arts Scholarship Fund and the Theodore U. Horger ’61 Artist-in-Residence Fund in the Performing & Visual Arts is a most fitting and perpetual memorial of Ted’s love for Lehigh and the visual and performing arts.

Trashion Show (not a typo)

The Lehigh Eco-Reps are hosting a great event this week that focuses on waste diversion and sustainability. Join them for a fun night of sustainable fashion. Check out creative outfits made from recyclable materials, watch a runway show, and enjoy dessert.
 
Eco-Reps’ 3rd annual Trashion Show is on Thursday Feb. 26 at 7pm in the STEPS concourse!  
 
They  are also looking for designers to showcase creative outfits made out of items normally considered to be trash. All participants will receive a $10 Saxby’s gift card when they sign up their outfit!  For more information about this event and to sign up: http://bit.ly/1Fos9qC    
EcoReps Trashion Show